Renee Carter Hall

 lizcommotion shares a big list of coping techniques, sorted by purpose.

Here is a brilliant essay about sexism in culture and literature, using the extended metaphor of llamas.

From time to time, I mention that I am different from most people, that my mind doesn't work the same way.  And one of the more dramatic examples goes like this.

*movie with cannibalistic scaly llamas*

Me: "This is stupid.  Llamas are fluffy."

Normal person: "No they aren't."

Me: "There is a fluffy llama.  Look, llamas are fluffy."

Normal person: "WTF?  Everyone knows llamas aren't fluffy!"

Me: "Also they hum."

Normal person: "How would you EVEN KNOW THAT?"

Me: "By knowing some damn llamas!"

Normal person: "ZOMGWTFBBQ!  Shut up now!"

Me: *write fluffy llamas*

I'm social teflon.  Everyone saying something that is observably false does not convince me that they are right.  It convinces me that everyone else is crazy.  And of course, they think I'm the crazy one, because when there's a disagreement of claims, I go looking for evidence and I favor factual examples over people's beliefs.  This is really, really unpopular.  It drives many people bugfuck.  

On the other hoof, it's great for crowdfunding.  You want some fluffy llamas?  Bring 'em.  I'll write something.  I'm really good at filling cultural gaps that way.  I enjoy it.  I actively look for this stuff, because it leads to stories that haven't been told a million times.  Fresh stories are often better stories; they hook readers more and harder.  I like that a lot.  I like it as a reader, a writer, a reviewer, an editor, a prompter, a donor ... everything.  I just like it.

And yes, real llamas do hum.  I learned this at the county fair one year when somebody brought llamas.  Because I am a writer and everything is research it never really shuts off.  I am a fountain of random weird trivia like that, and that's where I get the cool concrete details that I drop into my writing.

My story "The Museum of Mortality" (Part 1 and Part 2) has been sponsored by Amelia Margetts. It is now visible to the public.
Brelig works in a museum while recovering from a sea monster fight.
Brelig works hard to regain his stamina for warsailor work.

This is a sequel to "Without Fail" so if you haven't already read that, I recommend starting there.
Warsailor Brelig meets License Master Alaaffi on a cruise ship.

This story is a sequel to "Love Is for Children," "Eggshells," "Dolls and Guys," "Turnabout Is Fair Play," and "Touching Moments," "Splash," "Coming Around," and "Birthday Girl."

Fandom: The Avengers
Characters: Phil Coulson, Clint Barton, Natasha Romanova, Tony Stark, Bruce Banner, Hulk, Steve Rogers, Betty Ross, JARVIS, Bucky Barnes, Nick Fury.
Medium: Fiction
Warnings: Mind control. Inferences of past child abuse and other torture. Current environment is supportive.
Summary: A mission in Russia introduces the Avengers to the Winter Soldier. Steve wants Bucky back and will stop at nothing to make that happen. Everyone else helps however they can.
Notes: Asexual character (Clint). Aromantic character (Natasha). Asexual relationship. Sibling relationships. Fix-it. Teamwork. Canon-typical violence. BAMF!Avengers. Vulgar language. Drama. Rescue. Hurt/Comfort. Emotional whump. Survivor guilt. Friendship. Confusion. Mind control. Memory loss. Slow recovery. Nick Fury makes stupid-ass decisions. Fear of loss. Fluff. Nonsexual ageplay. Making up for lost time. Tony Stark has a heart. Games. Trust issues. Safety and security. Howard Stark's A+ parenting. Obadiah Stane's A+ parenting. Food issues. Multiplicity/Plurality. Sleep issues. Non-sexual touching and intimacy. Yoga. Personal growth. Family of choice. ALL THE FEELS. #coulsonlives.

Begin with Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10.

( Read more... )

 I have posted the half-price sale for the rainbowfic Vellum list.  Come browse some bargain poetry!

 Here's one way to plot a novel.